2012-2017 / Kriti Film Club Screenings Archive

Kriti Film Club Screenings Archive 2012-2017
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2012

  • Theme of the month: Exploring the CITY (4th February 2012 at Kriti Film Club homespace)
    • Adda: Calcutta, Kolkata by Surjo Deb and Ranjan Palit is a film about a day in the life of Calcutta or Kolkata. A portrait of the city and its people through the myriad conversations or "adda"s that happen all over the city, day and night. 
    • Certified Universal by Avijit Mukul Kishore is an impressionistic sketch of 'the public' as created by our cinema and its relationship with cinema itself. 
    • Do Rafique by Rafeeq Ellias in which Rafeeq meets Rafique Bagdadi, an extraordinary living archive of the city and its cinema, and explores the cinema city through him.
    • Have You Dreamt Cinema? by Hansa Thapliyal...a cinema theatre is pulled down in a suburb of a city. Three women who live in that suburb reflect on their various relationships with that fantasy of a film in a darkened theatre. 
    • Dhananjay Kulkarni ‘Chandragupt’ by Rrivu Laha is a journey of migrants to the dream city through the track of filmi aspirations.
    • In Search Of An Urban Ballad by Joydeep Ghosh is a chronicle of the evolution of urban music in three Indian cities - Kolkata, Delhi and Mumbai, examining the transformation in language and orchestration of music with the changing times and the socio-political concerns they reflect. 
  • Theme of the month: Exploring the CITY (18th February 2012 at Kriti Film Club homespace)
    • Dil Ki Basti Mein by Anwar Jamal is about the walled city of Old Delhi, which is a cultural universe unto itself – a sprawling, chaotic, but infectiously spirited neighbourhood where life assumes many fascinating forms in a constant struggle for survival. (Film maker present).
    • The Ghetto Girl by Ambarien Alqadar reflects on in what is also known as India’s ‘Little Pakistan’ in New Delhi, a girl is on a search for a lost home movie. A love and loss tale about being Muslim in India today. (Film maker present)
    • Dilli by Rintu Thomas and Sushmit Ghosh highlights that in this city, a dream is born everyday. The film raises critical questions about urbanization and development through the personal stories of its people and explores the social and spatial landscape of a city that dreams of becoming a super megapolis.(Film maker present)
  • Theme of the month: Celebrating Women's Day Month (3rd March 2012 at Kriti Film Club homespace, New Delhi).
    • The Beauty Academy Of Kabul by Liz Mermin is an arresting and optimistic portrait of post-Taliban Afghanistan. Both humorous and slyly submersive, the film offers poignant moments of culture clash between the Americans and Afghans and touching moments of feminine solidarity. 
    • Shifting Prophecy by Merajur Rahman Baruah is based on the struggle of rural Muslim women, in particular that of Daud Sherifa Khanam,to fight the sexist rulings of the conventional jamaat and patriarchal social order in Tamil Nadu. 
    • Kanyashala by Ganga Mukhi is an account of students from Kanya Vidyalaya, an all-girls’ school at Vajreshwari who share poignant stories of how they joined the School and their dreams for the future. 
    • Knocking On Heaven's Door by Sanjay Barnela and Samreen Farooqui is a film that spans across multiple musical genres. Tipriti, Shehnaz, Afflatus and Jivi Ben bare their hearts, sing and speak their truths about their aspirations and struggles in a documentary that seamlessly weaves personal stories with the soul of blues, pop, rock and devotional folk music. 
  • Theme of the month: Celebrating Women's Day Month (17th March 2012 at Kriti Film Club homespace, New Delhi).
    • Holy Matrimony by Nirmala Nair is about emotions and pressures women go through to fit ideals predetermined by a patriarchal society and the ‘matrimony market’ in urban India. 
    • Four Women And A Room by Ambarien Alqadar explores the complex ways in which women understand and experience ‘motherhood’.
    • Morality TV and the Loving Jehad by Paromita Vohra looks outside the frames that weave the frenetic tapestry of Breaking News on India’s news channels, to uncover a town’s complex dynamics. 
  • The Waterfall by Dr Parvez Imam talks about five random travelers who come together to trek to a waterfall in Hampi – a serene heartland in Southern India, famous for its ruins, temples and a river.  (27th April 2012 at IHC, New Delhi - Film maker present)
  • Theme of the month: Karl Marx's Birthday (5th May at Kriti Film Club homespace) 
    • Whispers in the Night by Sushmit Ghosh and Rintu Thomas journeys with security workers as they share their hopes, dreams and disappointments about a job that is both challenging and thankless. At its heart, the film raises concerns about the need to protect the rights of the very people who steadfastly protect us. 
    • Rikshawala by Abhishek Kukreja is a about a man peddling his way in a mad city rush. Rikshawala is a self-narrated story of transformation. It exemplifies that in the university called ‘Life’, difficulty is perhaps the harshest teacher, but has most virtuous lessons to impart. 
  • EcoReels @EcoFestival 2012 (2nd to 5th June 2012 at Kriti Film Club homespace) 
    • Earth Witness: Reflections of the Times and the Timeless, by Akanksha Joshi talks about four common people - a teacher, a farmer, a shepherd, a father - who find themselves on the frontline of the earth’s biggest, most complex crisis: climate change – in the mountains of Nagaland, the grasslands of Kutch, the Gangetic delta, and the forests of Central India. They use this challenge as a part of their art with nature. 
    • Amazing Green Movies from Enchanted lands by Nitin Das 
    • Jungle Gang Meets the Rhino by Krishnendu Bose 
    • Groundwater Up Project by Tarini Manchanda 
    • A Fable from the Himalayas by Nitin Das
  • Burma VJ: Reporting From a Closed Country by Anders Østergaard sheds light on the brutal 40-year military regime that operated in a closed country, far from the eyes of the mainstream global media. (16th August 2012 at IHC, New Delhi) 
  • Mind Reels 2012 - Film Festival on mental health (13th October 2012 at Kriti Film Club homespace) 
    • There is Something in the Air by Iram Ghufran traces a series of ‘dream narratives’ and spiritual experiences of women petitioners at the shrine of a Sufi saint in north India. 
    • A Certain Liberation by Yasmine Kabir talks about Gurudasi Mondol who gave herself up to madness in 1971, during the Liberation War of Bangladesh, as she watched her entire family being killed by the Razakars. 
  • Radiation Stories..part 3 by Amudhan RP highlights the people's movement against the Koodankulam nuclear plant which is an over 20-year-old story. (15th September 2012 at Kriti Film Club homespace - Filmmaker present)
  • Another Poverty Film by Fathima Nizaruddin is a black comedy that explores the mindsets behind the gross inequality that exists in post liberalised India. (3rd November 2012 at Kriti Film Club homespace - Filmmaker present)

The Plastic Cow by Kunal Vohra is a film on animal rights and looks at the impact of our almost complete dependence on plastic bags, which we use and discard carelessly everyday. Not only are these bags a huge environmental threat, they end-up in stomach of cows as they fend for themselves and forage for food in community garbage dumps. The film is also a comment on the religious hypocrisy of the cult of the holy cow. (3rd November 2012 at Kriti Film Club homespace - Filmmaker present)

  • Illuminating Lives - Film festival to mark Centenary celebrations of YWCA of Delhi (19th-20th October 2012 at YWCA, Ashoka Road, New Delhi) 
    • Redefining Peace by K P Sasi showcases the history of the 1000 Women for Nobel Peace Prize 2005 initiative and profiles ten peace women from different regions of India, connected to various people’s movements.
    • Our Lanes…Our Lives (Apni Galiyon Ki Kahani) by Tarini Manchanda, Aanchal Kapur, Ankur Kapoor highlights key issues of women's access to essential services like water, sanitation, electricity, drainage and lack of safety for women and girls living in a mix of public-private spaces in resettlement locations.  (Film maker present)
    • On My Own by Anupama Srinivasan is about five single women share their experiences of living on their own in Delhi as they justify their decisions to their families, come to terms with their own loneliness and also discover some things about themselves. (Film maker present)
    • Much Ado About Knotting by Geetika Narang Abbasi & Anandana Kapur is about how a young girl, born into a society obsessed with marriages,a not-so-young man an NRI couple are compared by tradition to look for matches via classifieds, match making, bureaus and websites confronted with innumerable criteria that determine which is acceptable and which isn’t, they question themselves and their choices. (Film maker present)
    • Where's Sandra by Paromita Vohra takes a playful look at the figure of "Sandra from Bandra"- part covetous fantasy of the racy Christian girl from Bombay who works as a secretary, wears a dress and likes to dance, part condescending stereotype of a dowdy, religious girl from a minority community. 
    • It’s A Boy by Vani Subramaniam examines the current male-female sex ratio problem which was foretold by earlier campaigners against sex determination and pre-selection. 
    • Green Movies from Enchanted Lands by Nitin Das 
    • Stir.Fry.Simmer by Vani Subramaniam highlights the rising food prices, colossal wastage of stocks, compromise policies of food security mixed with conversation on excess, debates on dieting, programs and journalism on cuisines and cooking. Just some of the many things that food is, and signifies, to all of us. 
    • Pedalling to Freedom by Vijay S. Jodha is a story of one of the poorest parts of the world, where 230,000 people learned to read and write. Over 100,000 women learnt to cycle. Wages jumped up 1000%. It happened in the space of 1 year. It cost Rs.65 (U.S. $ 1.50) per person! 
    • The Saroj Khan Story by Nidhi Tuli began as a search for the genius behind one of the greatest choreographers that the Hindi film industry has ever produced.
  • Mindscapes of Love and Longing by Arun Chadha highlights how the sexuality of people with disabilities is often marred with misconceptions, prejudices and myths. (1st December 2012 at Kriti Film Club homespace - Film maker present) 
  • Theme of the month: Marking Human Rights Day (15th December 2012 at Kriti Film Club homespace) 
    • Tales From Napa by Lalit Vachani is a remarkable story of a little village that resisted the forces of Hindu fundamentalism during the 2002 anti-Muslim riots in Gujarat, India. 
    • We are Foot Soldiers by Debolina Dutta and Oishik Sircar tells the story of Amra Padatik (Foot Soldiers), an organisation formed by the coming together of children of sex workers in Kolkata’s Sonagachhi red light district in 2005. 

2013 

  • In God’s Land by Pankaj Rishi Kumar looks at land within the larger issue of development, forcing us to recogniae the totalitarian attitude of the ideals of development, ostensibly to bring economic prosperity, but rarely a benefit to real users. But the film’s most interesting element is the people living on this god’s land. (17th January 2013 at Kriti Film Club homespace - Film maker present) 
  • Dharamsala Film Festival selection screening: Fire Under the Snow by Makoto Sasa is about Palden Gyatso, a Buddhist monk since childhood, arrested by the Chinese Communist Army in 1959. He spent the next 33 years in prison. (2nd February 2013 at at Kriti Film Club homespace). 
  • Films on Children's Education (23rd February 2013 at Kriti Film Club homespace - Film maker present) 
    • Let Them Blossom by Amrita Dasgupta highlights that learning begins at home…Today with changing times and social structure, how relevant is this dictum? This film is a mother’s exploration into the existing practice of early childhood care and education in India. (23rd February 2013 at Kriti Film Club homespace - Film maker present) 
    • Free And Compulsory by Malati Rao highlights that in 2009, the Right of children to Free and Compulsory Education Act (RTE) was passed by the Indian Parliament, giving every child between the ages of 6 and 14 years, this essential privilege.
  • Violence Reels 2013 - Solidarity screenings as part of One Billion Rising (9th-11th February 2013 at Kriti Film Club homespace) 
    • One Billion Rising by Eve Ensler, Tony Stroebel is an inspiring music video for the One Billion Rising campaign: women worldwide rising up and against all kinds of violence. 
    • Now I Will Speak by Sagari Chabbra is a documentary where women of courage speak out on their experience of rape.
    • Dowry: A Social Evil by Jill Misquitta is a short anti-dowry campaign short. 
    • Bol by Shabnam Virmani has been made as part of a public service television campaign on the issue of domestic violence, these spots instigate a range of people to “speak out”. 
    • Unkahee by Sakshi unfolds the script of domestic violence and the resistance of a woman therein through a theatrical piece. 
    • Ye Dilli Hai Mere Yaar by Vani Subramanian brings together first person narratives of violence experienced by women on the streets of Delhi with accounts of infamous cases that have scarred the city forever. 
    • Mann Ke Manjeere, a music video by Sujit Sircar, Gary is the famous anthem about a woman rebuilding her life in the aftermath of domestic violence. Mita Vashisht as the woman, Prasoon Joshi’s lyrics, Shubha Mudgal’s voice. 
    • Sarabah by Maria Luisa Gambale and Gloria Bremer where rapper, singer and activist Sister Fa, a childhood victim of female genital cutting (FGC), travels back to her home village in Senegal, where she fears she and her message against the practice will be rejected. 
  • Violence Reels - to mark International Women’s Day Month (5th March 2013 at Apparel House, Gurgaon; 16th March 2013 at IHC, New Delhi). 
    • One Billion Rising by Eve Ensler, Tony Stroebel is an inspiring music video for the One Billion Rising campaign: women worldwide rising up and against all kinds of violence. 
    • The Lightning Testimonies by Amar Kanwar reflects upon a history of conflict in the Indian subcontinent through experiences of sexual violence. In all narratives the body becomes central -as a site for honour, hatred and humiliation and also for dignity and protest.
  • Memory Reels  (12th March 2013 at Apparel House, Gurgaon; 15th March 2013 at IHC, New Delhi). 
    • The End of Flight by Tariq Theakekaraj highlights that our country has seen riots, wars, murders, rapes and even genocides, all of which have left behind millions of victims whose wounds may never heal. 
    • Dere-tun-Dilli by Divya Cowasji & Shilpa Gulati is a film where eighty four-year old Bhagwani Taneja recalls the time when her entire community packed up their homes from Dera Ismail Khan, in Pakistan's North West Frontier Province, and moved to Delhi during the Partition. (Film maker present)
  • Tibet Reels (21st March 2013 at Apparel House, Gurgaon; 14th March 2013 at IHC, New Delhi - film maker present)
    • The Sun behind the Clouds by Ritu Sarin & Tenzing Sonam updates the struggle for Tibetan independence, focusing upon the March 2008 demonstration against Chinese rule, the largest ever since the 1959 take-over of that nation. The Dalai Lama, living in exile in Northern India, is interviewed extensively and given the opportunity to explicate his "middle way," a compromise position he has to date been unsuccessful in getting the Chinese to accept. 
  • Earth Reels (20th April at Kriti Film Club homespace) 
    • The Lost Forest by Ishani K Dutta talks about a sacred grove that held in its heart secrets of a bygone era. A forest of conflicts, which tradition named Mangerbani. Whether it could be defined as a forest became a big bone of contention. 
    • Timbaktu by Rintu Thomas and Susmit Ghosh narrates how a small group of development activists, committed to developmental and ecological regeneration, found ways to heal and regenerate a piece of dry, degraded land, and create an agro forest habitat in Andhra Pradesh's Anantapur district. Timbaktu explores critical issues of food security and sovereignty. (Film makers present)
  • At the Crossroads by Deba Ranjan talks about the Nehruvian era which made ordinary people - mostly adivasis and dalits - lose their lands, forests and streams in the name of ‘national development’. That development never reached them. (30th May 2013 at IHC, New Delhi - film maker present)
  • Red Ant Dream by Sanjay Kak chronicles stories of resistance from Bastar, Odisha, Punjab...and speaks about the life of revolutionary possibility in India. (31st May 2013 at Kriti Film Club homespace - film maker present).
  • BOM" / aka 'One Day Ahead of Democracy’ by Amlan Dutta is based on Malana, a remote village in the Himalayas, isolated for thousands of years, that has been fostering a unique model of democracy of consensus. Narrated in an epic structure, a visual essay from the edge of the world with a universal message of trust, peace and eternal unity. (10th August 2013 at Kriti Film Club homespace)

2014 

  • Theme of the month: International Women’s Day 
    • Teen Behenein by Kundan Shah and Shekhar Hattangadi is based on the real life incident of three sisters in Kanpur who committed suicide in 1988 to save their parents a huge dowry. (5th March 2014 at Sarojini Naidu Centre for Women’s Studies, Jamia Millia Islamia; 7th March 2014, YWCA of Delhi, Ashoka Road, New Delhi - film maker present). 
    • Apna Haq by Feminist Approach to Technology is a film with visual stories and experiences on the question of lack of adequate toilet facilities in urban slum communities of Delhi. (9th March 2014 at IHC, New Delhi - film makers present) 
  • The Waterfall by Parvez Imam was independently produced in the wake of similar bombings on Gaza in Dec 2009. (18th July (2:00 pm onwards) to 21st July 2014 (midnight) Online - link: https://www.youtube.com/watch?v=P3uYpo6NR9I ) 
  • Apour Ti Yapour. Na Jang Na Aman. Yeti Chu Talukpeth (Between Border And The Fence. On Edge Of A Map) by Ajay Raina delves into the untranslatable in Kashir (Kashmir), maps the distance it has travelled emotionally and psychologically from the idea of India. (30th August 2014 at Kriti Film Club homespace). 
  • Remembering 1992 by School of Media and Cultural Studies, TISS, Mumbai (27th September 2014 at Kriti Film Club homespace). 
    • Badalte Nakshe (Changing Maps) by Nithila Kanagasabai, Archana Sadar, Nitya Menon, Likokba Sangtam follows Farhana Ashraf, a teacher and a writer, as it engages with certain questions: 20 years later, how do those who were children at the time remember the lived experience of the 1994 Mumbai riots? 
    • Ek Aakhri Panah (One Last Refuge) by Tanvi Barge, Krishna Panchal, Piyush Garud, Juanita Mukhia - During December 1992 and January 1993, Muslim communities living in the city of Mumbai witnessed communal violence within their localities. This resulted in the expansion of areas like Mumbra and the creation of ghettos across the city. This film looks at Mumbra and its history through the eyes of two young Muslim women who work in the Rehnuma Library, a space where young women meet to study, write, co-create and work on issues of women’s empowerment.
  • Theme of the month: Older Persons Day
    • Zohra Segal on Zohra Segal by Anant Raina is the story of Zohra Segal, in her own words. Compiled from two interviews with Zohra Segal when she was about to turn 100, interspersed with recitations and personal photographs, it presents an account of a truly fantastic life. (1st October 2014 at IHC, New Delhi - film maker present). 
  • Theme of the month: Masculinity
  • Mardistan (Macholand): Reflections on Indian Manhood by Harjant Gill takes us through the experiences of four different men, ranging in age from 20s to 40s and explores the notion of contemporary manhood in a rapidly globalising India.  (1st November 2014, Kriti Film Club homespace). 
  • Men Against the Tide  by  ITVS & CNN-IBN talks about how men across the world are challenging the various facets of masculinity. It honours men throughout India who are striking at the root of gender-based violence. (1st November 2014, Kriti Film Club homespace).
  • Theme of the month: Mental Health Day

A Drop of Sunshine by Aparna Sanyal talks about Schizophrenia. It takes us through the story of Reshma Valliappan, a 30-year old Indian woman, and charts out her journey of eventual triumph over her condition. (10th – 14th October 2014, Online viewing https://www.youtube.com/watch?v=dwKQ4J5b5nk&feature=youtu.be)

2015 

Three Characters in Search of a Forest by Krishnendu Bose is a story of Delhi's Ridge forest and it's struggle for survival, shared through the lives of three characters - Pradip Krishen, Ravi Agarwal and Ranjit Lal (4th June 2015 at Indian Social Institute, New Delhi - in collaboration with ICR). 

  • Best of the Dharamshala International Film Festival 
    • A World Not Ours by Mahdi Fleifel is an intimate, humorous, portrait of three generations of exile in the refugee camp of Ein el-Helweh, in southern Lebanon. (6th October at IHC, New Delhi). 
    • Mapa by León Siminiani is about a young Spanish director who gets fired from his job at a broadcaster. It is a road movie told in the first person about a young filmmaker who travels to India in search of a new “map” for love and life. (8th October 2015, Zorba the Buddha, Ghitorni, New Delhi).
  • Violence Reels 2015 
    • Ebang Bewarish (And the Unclaimed) by Debalina is based in a remote village in the state of West Bengal. Two girls Swapna and Sucheta loved each other so much that they had to kill themselves; the village hated them so much that they had to be burnt as unclaimed bodies. (20th November 2015 at IHC, New Delhi - film maker present). 
  • Sporty Reels (17th December 2015 at IHC, New Delhi) 
    • Kicking From The Corner by Vikram Buragohain explores the football culture in Shillong. It traces the evolvement and aspirations of football players from small localities to professional clubs. 
    • Rough ’Em Up by Sanjay Barnela is the story of an elitist sport that ended up making inroads into small towns so quickly - rugby. From Kashmir to Kerala, Manipur to Mumbai, state teams are battling it out to win the Women’s Rugby Nationals each year. 

2016 (a year of films curated around Music)

  • Had-Anhad: Journeys with Ram and Kabir by Shabnam Virmani is about Kabir, a 15th century mystic poet of North India who defied the boundaries between Hindu and Muslim.The film journeys through song and poem into the politics of religion, and finds a myriad answers on both sides of the hostile border between India and Pakistan. (27th January 2016 at IHC, New Delhi). 
  • Urban Voice (Jibon Ebong) by Aneek Chaudhuri is a bio docu-feature on urban folk musician Susmit Bose whose songs have often dealt with social issues- human rights, labour rights, child rights, global peace and non-violence. (28th February 2016 at IHC, New Delhi - film maker present) 
  • Theme of the month: International Women’s Day (11th-12th March at IHC, New Delhi) 
    • The Other Song by Saba Dewan is based in 1935, when Rasoolan Bai, the well-known singer from Varanasi, recorded for the gramophone, a love song that she would never sing again, ‘My breasts are wounded, don’t throw flowers at me.’ (Film maker present)
    • Ore Udal (One Body) by Asha Achy Joseph delves into how our social, cultural and political psyche embraces rape and its violence - to the extent of making it a ritualistic practice of consumption to the spectator. (Film maker present)
    • Reflecting Her: Women & Reproductive Health by Anna Pawlowska (Poland); Atieno Otieno Careen (Kenya); Priya Goswami (India); Sarah Chitambo (South Africa) has been shot in four continents by four women directors. It discusses the dilemmas, personal choices, lack of control and violence that women all over the world face over Reproductive Rights. (Producer present)\
  • Born to Sing by Shikha Jhingan profiles the lives of women singers in Punjab- the Marasans. They have been known to carry the darkest secrets of the royalty, from one generation to another. (21st April 2016 at IHC, New Delhi - film maker present). 
  • Kabira Khada Bazaar Mein (Journeys with Sacred & Secular Kabir) by Shabnam Virmani takes us to 15th century North India, when the mystic weaver Kabir spoke his poems in the market place, his spirituality firmly grounded in the public square. 600 years after his time, Kabir is found in both spaces – sacred and secular. (26th May 2016 at IHC, New Delhi)
  • Taan Bekro (Music Of The Sand) by Saumya Sharma is a poetic journey of the rendezvous with the nomadic tribe of Rajasthan, commonly known as the Saperas (Snake Charmers) or Kalbeliyas, in a quest to discover their cultural heritage and lifestyle. (9th July 2016 at IHC, New Delhi - film maker present). 
  • A Better Place by Miquel Galofré tells the story of five community-based organisations through the work that they do and how their experiences in diverse communities and areas impacts their view of the world. Infused with local music, stunning visuals complement stories of hope, resilience and survival. (10th June 2016 at IHC, New Delhi). 
  • Song Of The 'Other' Firefly by Abhijeet Bhatt, Abhishek Dutta, Meghna Talwar, Nagma Sahi Ansari and Umang Sabarwal traces the travels of ‘Jugni’, a feminine spirit often found in Punjabi folk music and Sufism. (4th August 2016 at IHC, New Delhi - Film makers present). 
  • A Bohemian Musician by Rochak Sahu is a student film on the life story of Keshav Lal who collaborated with the likes of Laxmikant Pyarelal and V. Shantaram. Fate brought Keshav Lal and his wife to the streets of Pune where they played music for a living. (4th August 2016 at IHC, New Delhi).
  • A tribute to Amma (late Mahasweta Devi) (4th September 2016 at IHC, New Delhi). 
    • Gangor by Italo Spinelli is an Indo-Italian project, based on the poignant short story 'Choli Ke Peeche' by Magsasay Award and Padma Vibushan Award winning writer Mahasweta Devi. It was screened at Cannes in 2011. 
    • Birth 1871 by Dakxin Chara explores the processes of ‘criminalisation' in the context of the Denotified Tribes of India, and how they combat social stigma through Theatre arts. (Film maker present)
  • 18 Feet by Renjith Kuzhur symbolises the sacred distance that the Dalits were made to maintain to ensure the purity of the upper castes. An indigenous band from downtown Kerala, 'Karinthalakoottam', propagates the music of the soul and connects people with a firm resolve. A public bus conductor is behind the exuberant squad inspiring people to break free from the shackles of caste discrimination. (6th October 2016 at IHC, New Delhi - Film maker present). 
  • Chalo Hamare Des (Come To My Country - Journeys With Kabir And Friends) by Shabnam Virmani is a journey in search of the des (country) invoked in the poetry of the 15th century mystic poet of North India – Kabir – this film interweaves the stories of two people from two very different countries, Indian folk singer Prahlad Tipanya and North American scholar Linda Hess. (25th November 2016 at IHC, New Delhi). 
  • Koi Sunta Hai (Someone Is Listening - Journeys with Kumar and Kabir) by Shabnam Virmani searches for that elusive sound, that jhini si awaaz, Kabir urges us to hear, while interweaving the folk music traditions of the mystic poet Kabir with the life and music of the late classical singer Kumar Gandharva. (12th December 2016 at IHC, New Delhi).

2017 

  • Flames of Freedom: the Ichchapur Declaration by Subrat Kumar Sahu is a story of a sleepy, idyllic Indian village, Ichchapur in southwest Odisha’s Kalahandi district, that suddenly wakes up in a spontaneous uprising of Shudras (Dalits, Adivasis, and OBCs) against age-old, Brahmanic-Feudalism. (14th January 2017 at IHC, New Delhi – Film maker present). 
  • Sent Away Boys by Harjant Gill poses pertinent questions like what happens to families in the absence of sons? What happens to land in the absence of farmers? What happens to communities in the absence of men? (17th February 2017 at IHC, New Delhi). 
  • Mod ​​​by Pushpa Rawat attempts to communicate with a group of young men in a locality, who hang around a water tank near her house. They are in turn suspicious and curious about the presence of a woman with a camera! (10th March 2017 at IHC, New Delhi – Film maker present). 
  • Kakkoos by Divya Bharathi documents the lives of Manual Scavengers in Tamil Nadu and the dehumanising that comes with their occupation. (21st April 2017 at IHC, New Delhi - Film maker present). 
  • The Tiger Who Crossed the Line by Krishnendu Bose shows how, with increasing development pressures on the forest corridors outside, the spilling out tigers are coming into constant conflict with humans, causing alarming consequences for both. (12th May 2017 at IHC, New Delhi – Film maker present) 
  • The Plastic Cow by Kunal Vohra looks at the impact of our almost complete dependence on plastic bags, which we use and discard carelessly every day, often to dispose our garbage and kitchen waste. (23rd June 2017 at IHC, New Delhi - Film maker present) 
  • Turup by Ektara Collective is based on chess, which is a popular pastime in this neighbourhood in Bhopal, with roadside games bringing together men to challenge each other in friendly and sometimes unfriendly matches. But for some, the pawns include morality and religion, causing tensions to erupt when a tournament gets underway. (13th July 2017 at IHC, New Delhi – Film makers present) 
  • The Hunt by Biju Toppo explores the condition of human rights in the Naxal affected areas of Jharkhand, Chattisgarh and Orissa. It questions the thoughtless rapid development model of the Government where lives of millions of people in these areas are severely affected. (4th August 2017 at IHC, New Delhi) 
  • Daslakhiya by Rishika Namdev and Vineeth Menon reflects that fences are often built to create boundaries, to determine ownership and create a partition. One such fence has been built in Kanha National Park of India. (4th August 2017 at IHC, New Delhi – Film makers present). 
  • Durrell’s Underhogs by Daniel Craven is about the critically endangered Pygmy Hog and the relentless efforts, initiated by the legendary author and pioneer of conservation- Gerald Durrell for saving it. (8th October 2017 at IHC, New Delhi – Shaz, cameraperson present). 
  • Cecilia by Pankaj Johar is the story of struggle for justice of Cecilia Hasda, a tribal woman from West Bengal-India, whose 14 year old daughter Mati is trafficked and found dead in New Delhi. (28th November 2017 at IHC, New Delhi – Film maker present). 
  • YAYA (The Mother) by Saumya Sharma is an ethnographic film on the Gonds of Bastar, one of the largest indigenous groups of South Asia. (27th December 2017 at IHC, New Delhi – Film maker present). 
    and KRITI FILM CLUB screenings and conversations continue...

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